Gyton Grantley

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When Gyton popped his head into the world all those years ago, his parents decided to give him a name quite unlike any other. Gyton (pronounced guy-tn) has spent the last 30 years explaining to people how to pronounce this strange combination of letters and has recently discovered that it is a French surname. So the jshiton pronunciation has been getting quite a work out. Much better than gItn, or gAYton or gyNton or gRYton.

Either way being dealt such a peculiar title has given Gyton the ability to get his mouth around language and develop a love for the spoken word. Having started voice overs as an 18 year old while studying acting at QUT in Brisbane. Gyton has a wealth of experience. For the last ten years he has rocked the mics of Australia’s voice studios bringing smiles to the ears of many with his wholesome laidback tone.

An AFI and Logie award winner Gyton has appeared on the big and small screens of Australia. Known best for his work in the original Underbelly as the notorious gangster Carl Williams and being slapped in the face with a rubber fish, Gyton has also shone in films Beneath Hill 60, Balibo, The Reef, Prime Mover, A Man’s Gotta Do, All my friends are leaving Brisbane, Danny Deckchair, Under The Radar, Blurred and Swimming Upstream. He is also seen in the very funny Tropfest films Being Carl Williams, The Maestro and Lost for words’. Gytons TV credits include East West 101 season 2, A Model Daughter: The Killing of Caroline Byrne, 30 seconds, All Saints, Home and Away, Small Claims, and Marking Time. He has also tread the boards for the Ensemble, the Old Fitzroy and La Boite theatre.

A voice actor with a natural ease, Gyton takes direction well and brings something fresh and unique to the session.


  1. While it’s always a sweetener to be able to tell clients that Gyton was ‘…in Underbelly!’ or ‘…in that Harry Potter play!’, after nearly a decade of working with him in studio, I can confidently say that Gyton is a consummate voiceover professional in his own right, always delivering the desired read for both creative and client.

    Ryan Andrews

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